Gala organ recital in memory of Dr Simon Lindley

18 October 2025 @ 12:30 pm 1:45 pm

Image of Dr Simon Lindley conducting to advertise an Organ Recital given in his memory

Come and hear this superb recital of organ music, given on Leeds Minster’s famous Harrison & Harrison instrument, in memory of Dr Simon Lindley (1948-2025).

Organists Carleton Etherington, Jonathan Lilley and Darius Battiwalla all began their careers under Dr Lindley’s supervision at what was then known as Leeds Parish Church, and progressed to senior positions.

This recital forms the first event in a day of celebration for the life and music of Dr Lindley, hosted by St Peter’s Singers.

Admission to this recital is free; there will be a collection as you leave to help defray costs.

Programme

DankpsalmMax Reger
Larghetto in F# minorSamuel Sebastian Wesley
Fiat LuxThéodore Dubois
Carleton Etherington
Sonata in A major Op.65 No.3                    
(i) Con moto maestoso
(ii) Andante tranquillo
Felix Mendelssohn Bartholdy
Toccata-Prelude on ‘Pange, lingua’Edward Bairstow
Impromptu for Sir Edward Bairstow
on his 70th Birthday
Francis Jackson
Etheldreda RagArthur Wills
Jonathan Lilley
Largo, Allegro, Aria and two variationsMichael Festing
Song of SunshineAlfred Hollins
Sonata EroicaJoseph Jongen
Darius Battiwalla

Carleton Etherington was Assistant Organist (1991-1996) and is now Organist and Director of Music at Tewkesbury Abbey.

Jonathan Lilley was Assistant Organist (1996-2002) and is now Director of Music and Organist at Waltham Abbey Church.

Darius Battiwalla was Organ Scholar (1984-87) and is now Leeds City Organist and a leading freelance organist in the North of England.

Your may also be interested in …

Come and Sing for Simon! for anyone who would like to sing in the concert later on the same day

Come celebrate Simon! for anyone who would like to listen to the concert later on the same day

JS Bach’s Christmas Oratorio St Peter’s Singers and 18th Century Sinfonia perform Cantatas 1-3 of Bach’s masterpiece

Access and Accessibility

Leeds Minster is about 5 minutes walk from Leeds Bus Station, and about 15 minutes walk from Leeds Railway Station. There is on-street parking on the side streets nearby, as well as the NCP Markets carpark (5 minutes) and the John Lewis carpark (10 minutes).

There is ramp access to the main doors beneath the tower, with entrance to the grounds at the West End by the Lamb and Flag pub recommended to avoid the steps up from the street level. Once inside there there is step-free access to the concert seating and to the City of Leeds Room for refreshments and toilets. Wheelchairs and mobility devices are welcome and can be accommodated.


Carleton Etherington

Carleton spent five happy years – from 1991 to 1996 – as Sub Organist at Leeds Parish Church, working with Simon Lindley on a daily basis. From here he moved to Gloucestershire to be Organist and Director of Music at Tewkesbury Abbey, where he has remained ever since. At Tewkesbury he directs the Abbey Choir, which sing the Sunday services, and accompanies Tewkesbury Abbey Schola Cantorum, which sing the midweek Evensongs. He also directs Musica Deo Sacra, an annual Festival of Music within the Liturgy held at the Abbey each summer. 

Born in Lancashire, Carleton was educated at Chetham’s School of Music, Manchester and The Royal Academy of Music, London, where he studied organ with Peter Hurford, David Sanger and Nicholas Danby, winning all the prizes for organ performance. During his time at Leeds, he won the prestigious Royal College of Organists ‘Performer of the Year’ competition and gained first prize at the Paisley International Organ Competition.

Since then he has performed throughout the UK and has toured in France, Germany, Holland, Belgium, Sweden, Ireland, Australia and the USA. He has broadcast on BBC Radio 2, 3 and 4 and has appeared on BBC television, both as organist and conductor. He has made several solo organ CD recordings, featuring mainly Romantic repertoire, all of which have been received with much acclaim. His playing also features on numerous recordings as an accompanist, in repertoire encompassing all periods of music.

Carleton has served on the Council of the Royal College of Organists, as Chairman of the Gloucestershire Organists’ Association and on the Gloucestershire Area Committee of the RSCM. He is conductor of Pershore and Cirencester Choral Societies and organ tutor at Dean Close School, Cheltenham. Honorary awards include Associateship of the Royal Academy of Music and Fellowship of the Guild of Church Musicians.

Jonathan Lilley

Jonathan Lilley took up music in earnest when he became a cathedral chorister in his home city of Salisbury, and progressed via a music scholarship at St Edward’s School, Oxford to the Royal Academy of Music, where as a first-year student he held the organ scholarship at St George’s Chapel, Windsor Castle, and gained the FRCO diploma.

Jonathan arrived as Sub-Organist to the then Leeds Parish Church in 1996 in succession to Carleton Etherington. During his time here, alongside his wide-ranging duties as Dr Lindey’s assistant, he led the newly-founded Girls choir, and began to develop his enduring métier as a keyboard accompanist. He worked with numerous choirs, including Halifax Choral Society, where he succeeded Darius Battiwalla as accompanist, together with the choral society, opera class and individual students of Leeds College of Music (now Leeds Conservatoire), and the RSCM Northern Cathedral Singers, the latter proving to be a happy relationship that lasted some 12 years.

In 2002, Jonathan was appointed assistant to former LPC chorister Paul Trepte at Ely Cathedral, where in addition to providing keyboard accompaniment for worship, he played recitals and a concerto in the cathedral, accompanied numerous broadcasts, recordings, and memorable overseas tours, including a live BBC Radio broadcast of Poulenc’s organ concerto. Equally at home on piano and organ, he worked with King’s School Ely, Ely Choral Society and Ely Consort as well as with the cathedral’s choirs, and developed a skill in improvising accompaniments to silent films.

In 2013 Jonathan assumed the position of Director of Music at Waltham Abbey Church in Essex. There he leads the Abbey Choir, the Abbey’s new ‘relaxed choir’ for adults of all musical abilities, and a new children’s singing group, which encourages children’s singing with the intention of attracting them towards choir membership proper. He maintains a busy freelance career as organ and piano accompanist, enjoying resident positions with the Reigate-based English Arts Chorale, the Waltham Singers of Chelmsford, and Royston Choral Society. The Abbey’s lunchtime recital series allows him to explore piano repertoire, particularly the music of composers known mostly to the organ community. His solo playing of the church organ, rebuilt under his influence, can be sampled via his YouTube channel.

Darius Battiwalla

Darius took up the post of Leeds City Organist in 2017, programming the very successful Town Hall recital series and giving regular solo concerts. He is currently overseeing the renewal of the Leeds Town Hall organ. Recent performances include the recitals at the Cathedrals of Coventry, Lincoln, Ripon, and St Albans, as well as appearances with Collegium Vocale Gent in Ghent and Amsterdam, and the annual recital for the Royal College of Organists conferment of diplomas.

In 2024 he was part of the premiere of a new work for four organs by James Wood commemorating the Great Storm of 1674, to be performed simultaneously by organists across Europe. He has recently released a CD, recorded by audiophile label Base2 Music, including the Whitlock Sonata and works by Fela Sowande and Percy Grainger.He has appeared as soloist with the Halle and London Philharmonic Orchestras, and is a regular orchestral organist and pianist for the BBC Philharmonic and Halle orchestras.

As a pianist, he gives regular chamber concerts with members of the Manchester orchestras, and on the harpsichord he has played continuo with many UK orchestras, and performed and broadcast harpsichord concertos: most recently soloist in Frank Martin’s Harpsichord Concerto for the Northern Ballet Theatre.

Darius teaches improvisation at the Royal Academy of Music, and is teaching on this year’s Royal College of Organists summer course.

Free Retiring collection

St Peter’s Singers

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Leeds Minster

Leeds Minster, 2-6 Kirkgate
Leeds, W. Yorks LS2 7DJ United Kingdom
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My spirit sang all day

28 June 2025 @ 7:30 pm 9:00 pm

Choral songs of the world and the spirit

£10 Free FTE/U18 available on-line (see below) or at the door
Image advertising a choral concert called My spirit sang all day

Saturday 28 June 7.30pm

St Peter’s, Rawdon, LS19 6QL

Come and enjoy an uplifting evening of mid- summer song! With a wide variety of music on offer, both spiritual and worldly, old, modern and even brand new, there’s something for everyone.

Marking the feast day of St Peter, the programme includes the moving and spiritually profound music of Palestrina, marking 500 years since his birth, Britten, Brahms and Grieg. Simon Lindley’s popular Ave Maria will follow and pave the way for the world premiere of a striking new piece about two nuns (by two of our members) …

In a lighter second half, following interval refreshments, romance will take centre-stage with the music of Elgar, Finzi, Vaughan Williams and Stanford, with songs from Bernstein’s West Side Story supplying some fizz to finish!

So there is something for everyone to enjoy, and something to maybe touch the soul where other songs don’t reach. Bring a friend and have a great evening out!

Read the programme notes

St Peter’s Singers are passionate about the music we sing and want to share it with as many people as possible. We do all we can to make anyone who comes to our concerts feel welcome and at ease. So if you’ve not tried this music out before, why not come along and bring a friend? Everyone is welcome.

St Peter’s is an accessible venue with good facilities. For details of arrangements for disabled access, please visit the church’s website.

What to expect at a St Peter’s Singers concert


Programme

Hymn to St PeterBenjamin Britten
Tu es PetrusPierluigi da Palestrina
Geistliches LiedJohannes Brahms
How lovely are thy dwellingsJohannes Brahms
Organ solo: Sonata No 3 in A, 1st movementFelix Mendelssohn
Ave MariaSimon Lindley
Brides of ChristFiona Pacey
Ave maris stellaEdvard Grieg

Interval during which refreshments will be served

My spirit sang all dayGerald Finzi
The Blue BirdCharles Villiers Stanford
The Turtle DoveRalph Vaughan Williams
My love dwelt in a Northern LandEdward Elgar
Lay a GarlandRobert Pearsall
Organ solo: The PrayerDavid Foster (arr Lee Ward)
The Sound of SilencePaul Simon (Simon and Garfunkel)
Medley from West Side StoryLeonard Bernstein

St Peter’s Singers

Lee Ward organ

Alexander Woodrow conductor


St Peter’s Singers

View Organiser Website

Leeds Minster

Leeds Minster, 2-6 Kirkgate
Leeds, W. Yorks LS2 7DJ United Kingdom
+ Google Map
View Venue Website

Recital Programme Notes for ‘Visions of Darkness and Light’

A poster image advertising St Peter's Singers recital at Leeds Cathedral on 17 Feb 2025

Leeds Cathedral

Monday 17 February 1.15pm

Free admission

Note: This is an annotated form of the programme notes for this recital, exploiting web technologies to allow readers to delve deeper into the biographies of the composers and the meaning of musical and religious terms as they wish.

Programme

Vast Ocean of LightJonathan Dove (b 1959)
A Taylor TrilogySimon Lindley (b 1948)
MiserereJames MacMillan (b 1959)
Messe SolennelleJean Langlais (1907-1991)

Dr Lindley’s work A Taylor Trilogy was commissioned by St Peter’s Singers of Leeds in grateful recognition of the composer’s generous and inspirational leadership, 1977-2021, and here receives its first performance.

*****

St Peter’s Singers

Darius Battiwalla organ

Alexander Woodrow director

Vast Ocean of Light                                

Jonathan Dove (b 1959)

Vast Ocean of light, whose rayes surround
The Universe, who know’st nor ebb, nor shore,
Who lend’st the Sun his sparkling drop, to store
With overflowing beams Heav’n, ayer, ground,
Whose depths beneath the Centre none can sound,
Whose heights ‘bove heav’n, and thoughts so lofty soar,
Whose breadth no feet, no lines, no chains, no eyes survey,
Whose length no thoughts can reach, no worlds can bound,
What cloud can mask thy face? where can thy ray
Find an Eclipse? what night can hide Eternal Day?

Phineas Fletcher (1582-1650)

Jonathan Dove (b. 1959) is a versatile composer in a host of genres, and studied composition with Robin Holloway at Cambridge University. Vast Ocean of Light (2010) sets poetry by Phineas Fletcher, metaphysical English poet of the Renaissance. Dove has said, ‘Light […] has always been a source of inspiration to me, and the heavenly bodies often provoke a desire to create some kind of numinous music’. Listen out for the ostinato sparkling quavers of the organ accompaniment, the dazzling harmonies, the striking use of Canon between the voices, and the overall sense of spaciousness and awe which the music evokes.

A Taylor Trilogy                                          

Simon Lindley (b 1948)

I                                                                                               from ‘Easter Day’ in The Golden Grove

What glorious light!
How bright a Sun after so sad a night
Does now begin to dawn!
O dearest God preserve our souls
In holy innocence;
Or if we do amiss,
Make us to rise again to th’life of Grace,
That we may live with thee, and see thy glorious face,
The crown of holy Penitence.
Allelujah.


II                                                                                            
from ‘Pentecost’ in The Golden Grove

Lord, let the flames of holy charity,
And all her gifts and graces slide
Into our hearts, and there abide;
That thus refined, we may soar above
With it unto the element of love,
Even unto Thee, dear Spirit,
And there eternal peace and rest inherit.
Amen.

III                                                        from ‘A Hymn upon St John’s Day’ in The Golden Grove

Let’s sing Him up agen !
Each man winde up’s heart
To bear a part
In that angelick quire, and show
His glory high as He was low !
Let’s sing t’wards men good will and charity,
Peace upon Earth, glory to God on high
Hallelujah, Hallelujah !
Mysterious God, regard me when I pray:
And when this load of clay
Shall fall away,
O let Thy gracious hand conduct me up,
Where on the Lamb’s rich viands I may sup:
And in this last Supper I
May with Thy friend in Thy sweet bosome lie
For ever in Eternity.
Allelujah.

Jeremy Taylor (1613-1667)

Commissioned by St Peter’s Singers, Simon Lindley’s A Taylor Trilogy is a caring yet confident setting of extracts from the writings of Jeremy Taylor, Bishop of Down and Connor. Taylor is arguably under-represented in the choral repertoire, and so this composer’s very personal selection is most welcome. The sensitive choral writing ebbs and flows unhindered by gratuity and in so doing allows the text to thrive by its own great merit.

Miserere                                                          

James MacMillan (b 1959)

for the King James translation click here


Miserere mei, Deus, secundum magnam misericordiam tuam:
et secundum multitudinem miserationum tuarum, dele iniquitatem mean

Amplius lava me ab iniquitate mea: et a peccato meo munda me

Quoniam iniquitatem meam ego cognosco: et peccatum meum contra me est semper

Tibi soli peccavi et malum, coram te feci: ut justificeris in sermonibus tuis, et vincas cum judicaris


Ecce enim in iniquitatibus conceptus sum: et in peccatis concepit me mater mea

Ecce enim veritatem dilexisti: incerta et occula sapientiae tuae manifestasti mihi

Asperges me hyssopo, et mundabor: lavabis me, et super nivem de albabor

Auditui meo dabis gaudium et laetitiam: et exsultabunt ossa humiliata

Averte faciem tuam a peccatis meis: et omnes iniquitates meas dele

Cor mundum crea in me, Deus: et spiritum rectum innova in visceribus meis

Ne projicias me a facie tua: et spiritum sanctum tuum ne auferas a me  

Redde mihi laetitiam salutaris tui: et spiritu principali confirma me

Docebo iniquos vias tuas: et impii ad te convertentur

Libera me de sanguinibus, Deus, Deus salutis meae: et exsultabit lingua mea justitiam tuam

Domine, labia mea aperies: et os meum annuntiabit laudem tuam

Quoniam si voluisses sacrificium, dedissem utique : holocaustis non dedectaberis

Sacrificium Deo spiritus contribulatus: cor contritum et humiliatum, Deus, non despicies

Benigne fac, Domine, in bona voluntate tua Sion: ut ædificentur muri Jerusalem

Tunc acceptabis sacrificium justitiae, oblationes et holocausta: tunc imponent super altare tuum vitulos

Have mercy on me, O God, in your goodness:
in your great tenderness wipe away my faults;

Wash me clean of my guilt:   and purify me from my sin

For I am well aware of my faults:   my sin is constantly in mind

Against you, you alone, I have sinned, I have done what you see to be wrong: that you may be justified in your words, and victorious when you give judgement

You know I was born sinful:   a sinner from the moment of conception

But you delight in sincerity of heart: and in secret you teach me wisdom

Purify me with hyssop until I am clean:   wash me until I am whiter than snow

Let me hear the sound of joy and gladness: and the bones you have crushed will dance

Turn your face away from my sins:   and wipe away all my guilt

Create a clean heart in me, O God: and renew a resolute spirit within me

Do not banish me from your presence: do not take away your holy spirit from me

Give me back the joy of your salvation:   keep my spirit steady and willing:

I shall teach transgressors your way: and the sinners will return to you

Deliver me from bloodshed, O God,  God my saviour: and my tongue will acclaim your righteousness;

Lord, open my lips: and my mouth will speak out your praise

Sacrifice gives you no pleasure, or I would offer it: but you do not desire burnt offerings  
Sacrifice to God is this broken spirit:   you will not scorn this crushed and broken heart, O God

In your graciousness do good to Zion:   rebuild the walls of Jerusalem

Then there will be proper sacrifice to please you – holocaust and whole oblation: then shall young bulls to be offered on your altar

Psalm 51

Sir James MacMillan (b. 1959) studied composition with Wakefield-born Kenneth Leighton and John Casken, his music being inspired by many things, including his Catholic faith and the folk music of his native Scotland. Miserere Mei is a substantial ‘a cappella’ work, setting verses from Psalm 51 (as Allegri famously did centuries earlier), and placing significant technical and expressive demands upon the choir. The music has a small number of principal musical themes that occur in various guises throughout the work. There is some amazingly virtuosic soprano writing early on, and a number of very powerful and dramatic moments, a superbly affecting section of simple homophonic free chant at the centre, and at the end a great sense of peace and tranquillity when the writing gives way to a beautiful E major hushed cadence.

Messe Solennelle                                     

Jean Langlais (1907-1991)

Kyrie  
Kyrie eleison
Christe eleison
Kyrie eleison  

Gloria in excelsis  
Gloria in excelsis Deo,
et in terra pax hominibus bonæ voluntatis.
Laudamus te.
Benedicimus te.
Adoramus te.
Glorificamus te.
Gratias agimus tibi
propter magnam gloriam tuam.
Domine Deus, Rex cælestis,
Deus Pater omnipotens.
Domine Fili unigenite, Jesu Christe.
Domine Deus,
Agnus Dei,
Filius Patris.
Qui tollis peccata mundi,
miserere nobis.
Qui tollis peccata mundi,
suscipe deprecationem nostram.
Qui sedes ad dexteram Patris,
miserere nobis.
Quoniam tu solus Sanctus.
Tu solus Dominus.
Tu solus Altissimus,
Jesu Christe.
Cum Sancto Spiritu,
in gloria Dei Patris.
Amen.  

Sanctus  
Sanctus, Sanctus, Sanctus,
Dominus Deus Sabaoth.
Pleni sunt cæli et terra gloria tua.  
Hosanna in excelsis.  

Benedictus  
Benedíctus qui venit
in nomine Domini.
Hosanna in excelsis  

Agnus Dei  
Agnus Dei,
qui tollis peccata mundi
miserere nobis
Agnus Dei,
qui tollis peccata mundi
miserere nobis
Agnus Dei,
qui tollis peccata mundi
dona nobis pacem

Lord, have mercy upon us
Christ, have mercy upon us
Lord, have mercy upon us      


Glory be to God on high,
and in earth peace, good will towards men.
We praise you.
We bless you.
We worship you.
We glorify you.
We give thanks to thee
For your great glory.
O Lord God, Heavenly King,
God the Father Almighty.
O Lord, the only-begotten Son, Jesu Christ;
O Lord God,
Lamb of God,
Son of the Father.
Who takes away the sins of the world,
have mercy upon us.
You who takes away the sins of the world, receive our prayer.
You who sits at the right hand of the Father,
have mercy upon us.
For you only are holy.
You only are the Lord.
You only are most high,
Jesus Christ,
With the Holy Spirit,
In the glory of God the Father.
Amen.      


Holy, holy, holy
Lord Lord God of power and might,
Heaven and earth are full of your glory. Hosanna in the highest.      


Blessed is he who comes
in the name of the Lord.
Hosanna in the highest.      


Lamb of God,
who takes away the sins of the world,
have mercy upon us
Lamb of God, who takes away the sins of the world,
have mercy upon us
Lamb of God who takes away the sins of the world,
grant us your peace

Roman Missal

Jean Langlais (1907-1991) was a famous, blind Parisian-based organist, composer and teacher. A pupil of Marcel Dupré and Paul Dukas, he held the position of organist at the Basilica of Sainte-Clotilde in Paris for some 43 years. The Messe Solennelle (1949) is written for choir and two organs, one exceedingly powerful and set at the West End of the church (the Grand Orgue) and one much more accompanimental in nature (the Petit Orgue). As titular organist, Langlais would have played the Grand Orgue and his assistant organist the Petit Orgue; this afternoon, however, Darius manages to blend both organ parts seamlessly into one, making the most of the distinction between the thrilling ‘tutti’ sound of the Leeds cathedral organ for the tutti moments, juxtaposing with the softer stops for supporting the choir.

The five movements comprise some thrilling music. The influence of plainchant, and indeed organum (parallel harmony, Medieval in feel) is never far away, but with a thrilling 20th century use of harmony (in common with the wonderful Requiem by Duruflé, contemporary of Langlais, that was written just a few years earlier). Always attentive to the text that is set, Langlais’ setting of the Mass alternates skilfully between ethereal and tender; and ecstatic and thrilling, using a very distinctive and utterly ‘French’ tonal palette.

Visions of Darkness and Light

Choral music by Dove, MacMillan, Lindley and Langlais

17 February 2025 @ 1:15 pm 2:00 pm

Join us at Leeds Cathedral for a lunchtime recital of varied and mostly contemporary choral and organ music, inspired by Visions of Darkness and Light.

The programme features the first performance of a new work by our former Conductor Dr Simon Lindley, and the first Leeds performance of James MacMillan’s Miserere mei.

With three of the works composed in the last 15 years, this programme shows the tradition of sacred choral music to be not just alive, but in rude health, with composers continuing to draw inspiration from ancient texts.

Alexander Woodrow directs, with Darius Battiwalla at the organ.

Programme

Vast Ocean of LightJonathan Dove
A Taylor TrilogySimon Lindley
Miserere meiJames MacMillan
Messe SolennelleJean Langlais

Dr Lindley’s work A Taylor Trilogy features the composer’s selection from the relatively unknown writings of the 17th century divine Jeremy Taylor (1613-1667), thought by some to be one of the greatest writers of prose in our language. It opens with a vision of glorious sunlight greeting the resurrection of Christ. The work was commissioned by St Peter’s Singers and receives its first performance here to mark the 50th anniversary of Dr Lindley’s arrival in Leeds.

Jonathan Dove also returns to the 17th century, setting a text by another fine poet, Phineas Fletcher (1582-1650). Like many of his contemporaries, Fletcher too draws on the imagery of Light, which is reflected in Dove’s luminous writing for the organ.

James MacMillan takes Psalm 51 (Miserere mei, Dei – Have mercy on me O God) – a seminal, and much darker text with a rich history of choral settings. Typically, he adds another profound chapter to this story, which we’re proud to bring to Leeds for the first time in the work’s history.

The recital ends with movements from Jean Langlais’ ebullient Messe Solennelle, notable for the dynamic and discordant splashes of organ sound that punctuate the singing.

St Peter’s Singers

Darius Battiwalla organ

Alexander Woodrow conductor

This concert is promoted and provided free of charge by Leeds Leisure Services as part of the International Concert Season. St Peter’s Singers are grateful for the invitation to take part.

Leeds Intenrational Concert Season logo

Admission Free

Leeds International Concert Season

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Leeds Minster

Leeds Minster, 2-6 Kirkgate
Leeds, W. Yorks LS2 7DJ United Kingdom
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View Venue Website